Profile

Book

• The Portrayal of Musicians in the German Baroque Novel, forthcoming

Chapters in edited books

• ‘Performance practice’, in The Ashgate Research Companion: Henry Purcell, ed. Rebecca Herissone (Farnham: Ashgate, in press).
• 'Lutheran church music', in The Cambridge History of Eighteenth-Century Music, ed. Simon P. Keefe (Cambridge: Cambridge University Press, 2009), 127–167.
• 'The musical map of Europe c.1700', in The Cambridge History of Eighteenth-Century Music, ed. Simon P. Keefe (Cambridge: Cambridge University Press), 3–26.  (Online excerpt)
• 'Early music', in Understanding Music, ed. J. P. E. Harper-Scott and Jim Samson (Cambridge: Cambridge University Press, 2008), 119–135.
• 'The composer as self-publisher in seventeenth-century Germany', in The dissemination of music in seventeenth-century Europe. Proceedings of a symposium held at Uppsala University Sept 2006 (Uppsala: Uppsala University), in press.
• ‘Musician-novels of the German Baroque’, in The worlds of Johann Sebastian Bach , ed. Raymond Erickson (New York: Amadeus Press, 2009), 175–190 .
• ‘Music in the marketplace’ (chapter) and ‘Chronology’, ‘Places and institutions’ and ‘Personalia’ (appendices) in The Cambridge History of Seventeenth-Century Music, ed. John Butt & Tim Carter (Cambridge: Cambridge University Press, 2005), 55–87, 533–571.
• ‘Cultura musical urbana y Gelehrtenrepublik luterana: la música ocasional en el Leipzig del siglo XVII’, Música y cultura urbana en la edad moderna, ed. Andrea Bombi and Juan-José Carreras (Valencia: Universitat de Valencia, 2005), 351–366.

Articles

• ‘A Lübeck music auction, 1695’, Schütz-Jahrbuch 30 (2008), 171–90.
• 'The musician-narratives of the German Baroque: new light on Bach's world', Understanding Bach 3 (2008), 55–66. (Online) .
• 'Performances and popular culture in the German Reformation', Early Music 33 (2005), 289-97. (Online)
• 'Mechanisms of the music trade in central Germany, 1600-1640', Journal of Royal Musical Association 130 (2005), 1-38. (Online)
• 'Daniel Vetter and the domestic keyboard chorale in Bach's Leipzig', Early Music 33 (2005), 39-54. (Online)
• 'Music, print and presentation in Saxony during the seventeenth century', German History 23 (2005), 1-19.
• 'Schein's occasional music and the social order in 1620s Leipzig', Early Music History 23 (2004), 253-84.
• 'Music printing in Leipzig during the Thirty Years' War', Notes 61 (2004), 323-49. (Online)
• 'Memory and the early musician', Early Music Performer 13 (2004), 3-8.
• 'Publication and the anxiety of judgement in German musical life of the 17th century', Music & Letters 85 (2004), 22-40. (Online)
• 'Heinrich Albert's Arien in print and performance', Early Music 29 (2001), 588-606.

Other writings

• Reviews in Early Music; Early Music Review;The Library: Transactions of the Bibliographical Society; Music & Letters; Notes: quarterly journal of the Music Library Association.
• Articles in Goldberg: Revista de música Antigua (on Rosenmüller in issue 40 (2006), 18-29; on Buxtehude in issue 34 (2004), 18-27).