Front Matter

Editorial

Notes on Contributors

Abstracts

Articles
 
Dialectical images of femininity
Kerstin Bueschges
Abstract, Full Text

Family Roles and Paternal/Maternal Genealogies within and between Psychophysical Performer Trainings and their Documentation
Alissa Clarke
Abstract, Full Text

Articulating the abject: Metamorphosis in Marina Carr’s The Mai
Shonagh Hill
Abstract, Full Text

Little (White) Women: Locating Whiteness in (De)constructions of the American Female from Alcott to Split Britches
Courtney Elkin Mohler
Abstract, Full Text

Unconventional Femininity in the work of Suzan-Lori Parks and Marina Carr
Siobhán O’Gorman
Abstract, Full Text

Staging Humanity in Cranberry: The Human Revelation of Joan Crawford
Matt Saltzberg
Abstract, Full Text

Book Reviews

Reasoning Madness: The Reception and Performance of Euripides’ Herakles by Kathleen Riley
Stephe Harrop

The Male Dancer: Bodies, Spectacle, Sexualities by Ramsay Burt
Grant Tyler Peterson

Performance Practice and Process: Contemporary [Women] Practitioners by Elaine Aston and Geraldine Harris
Amanda Bolt

American Puppet Modernism: Essays on the Material World in Performance by John Bell
Alissa Mello

Choreographing the Folk: The Dance Stagings of Zora Neale Hurston by Anthea Kraut
Sarahleigh Castelyn

Performance Response

‘Tell her it’s serious:’ Caryl Churchill’s Seven Jewish Children: A Play for Gaza at the Royal Court Theatre
Kate Leader